We already have plenty of machines that can kill, but imagine a machine that can protect civilian populations, that can keep war zones secure and safe without endangering our troops.
And I said, "Well, I have to see." It was 2004 which was the beginning of the incredibly bloody time in Iraq, "I have to see, I have to see what is happening here.
These birds were hunted for meat that was sold by the ton, and it was easy to do because when those big flocks came down to the ground, they were so dense that hundreds of hunters and netters could show up and slaughter them by the tens of thousands.
We honed our combat skills, we developed new equipment, we parachuted, we helicoptered, we took small boats, we drove, and we walked to objectives night after night to stop the killing that this network was putting forward.
And so what I'm saying is, the teddy bear was born into the middle of this great spasm of extermination, and you can see it as a sign that maybe some people deep down were starting to feel conflicted about all that killing.
These items are recovered from numerous mass graves, and the main goal of this collection of the items is a unique process of identifying those who disappeared in the killings, the first act of genocide on European soil since the Holocaust.
His people, his company, and other companies like them killed, massacred, tortured, butchered Indians like the Witotos you see on the right hand side of the slide.
They were kind of like, "Oh, if you work in war, doesn't that mean you work on refugee camps, and you work on documenting mass atrocities?" -- which is, by the way, very, very, very important.
Thankfully, however, it was my teacher's teachers, Chea Samy, Soth Sam On and Chheng Phon, who would lead the revival of the art form from the ashes of war and genocide: one student, one gesture, one dance at a time.
The government denied that it was committing any violence, but I continually drove through towns where people described government massacres from a day or a week before.