What you can also do and what we are also working on is improving the system, improving the resins, the material we use for catching a worm or something else.
It started in Japan. Sumitomo had developed a technology essentially to impregnate a polyethylene-based fiber with organic insecticide, so you could create a bed net, a malaria bed net, that would last five years and not need to be re-dipped.
So bees fly to some plants and they scrape these very, very sticky resins off the leaves, and they take them back to the nest where they cement them into the nest architecture where we call it propolis.
So what we did is we painted over the street, put down epoxy gravel, and connected the triangle to the storefronts on Grand Avenue, created a great new public space, and it's been great for businesses along Grand Avenue.
So we said, "Well, these will be on round tables and the order around the table had to be the same, so that at my site, I would be, if you will, real and then at each other's site you'd have these plastic heads.
So if I, all of a sudden, turn to the person to my left and start talking to that person, then at the person to my right's site, he'll see these two plastic heads talking to each other.
Then, he took the scans of the best organs and made the meat -- of course, this is done with a Japanese resins food maker, but you know, in the future it could be made better -- which reproduces the best MRI scan of the best cow he could find.
It's two resins that are, sort of, in and of themselves -- neither of which can make glue, but when you put the two together, something happens. A bond takes place, and you get this very strong, powerful adhesive.
There's my somewhat ruined Sculpey Falcon, because I had to get it back out of the mold. There's my first casting, there's my master and there's my bronze.
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